English 102 Composition II - Dr. Gebhard: Books & E-books

The Bedford Guide continues to evolve to meet classroom needs. The new edition does even more to build essential academic writing skills, with expanded coverage of audience analysis, source-based writing, argumentation and reasoning, and more.
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The Little, Brown Handbook has always addressed both the most current and the recurrent needs of composition teachers and students while remaining an accessible reference and a comprehensive classroom text. The eighth edition continues that tradition by offering greatly expanded coverage of writing and researching with computers, smaller chapters for large subjects such as the writing process and research writing, and in numerable improvements in all other material.
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Write Right! reflects how the language has changed since the book first appeared. The updated information in this new version makes it even more useful as a handy guide. Write Right! simplifies the most important points of written English. The quotations from literature and politics that demonstrate proper usage add an element of fun to the book's practical advice. Lists of frequently misspelled and misused words help the writer avoid embarrassing mistakes. Write Right! belongs at your side - at work, in the home, or at school.
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Now in its third edition Poetry: The Basics remains an engaging exploration of the world of poetry. Drawing on examples ranging from Chaucer to children's rhymes, Cole Porter to Carol Ann Duffy, and from around the English-speaking world, it shows how any reader can understand and gain more pleasure from poetry. Exploring poetry’s relationship to everyday language and introducing major genres and technical aspects in an accessible way, it is a clear introduction to how different types of poetry work through the study of details and of whole poems. With a revised chapter on the different practices and ideas in the writing of poetry now, including sections on film poetry and digital poetics, this is a must read for all students of English Literature.
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Slaves in chains, toiling on master’s plantation. Beatings, bloodied whips. This is what many of us envision when we think of 19th century African Americans; source materials penned by those who suffered in bondage validate this picture. Yet slavery was not the only identity of 19th century African Americans. Whether they were freeborn, self-liberated, or born in the years after the Emancipation, African Americans had a rich cultural heritage all their own, a heritage largely subsumed in popular history and collective memory by the atrocity of slavery.
The early 19th century birthed the nation’s first black-owned periodicals, the first media spaces to provide primary outlets for the empowerment of African American voices. For many, poetry became this empowerment. Almost every black-owned periodical featured an open call for poetry, and African Americans, both free and enslaved, responded by submitting droves of poems for publication. Yet until now, these poems -- and an entire literary movement -- have been lost to modern readers.
The poems in Voices Beyond Bondage address the horrific and the mundane, the humorous and the ordinary and the extraordinary. Authors wrote about slavery, but also about love, morality, politics, perseverance, nature, and God. These poems evidence authors who were passionate, dedicated, vocal, and above all resolute in a bravery which was both weapon and shield against a world of prejudice and inequity. These authors wrote to be heard; more than 150 years later it is at last time for us to listen.
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This work is an anthology of poems from the civil rights era, from 1955 until 1975. The poems featured are grouped chronologically around major events of the time, including the Emmett Till lynching, the integration of Little Rock High School, the assassinations of John and Robert Kennedy and Dr. Martin Luther King, and the rise of the Black Panthers.

Designed to help resolve most common English language problems and queries, this book has an accessible reference format with examples and explanations of mistakes regarding sentence construction, spelling, punctuation and grammar.

This clear guide to the grammar of modern English will help students read, speak and write English with greater confidence. Ideal for native speakers and learners alike, it begins with the basics, before progressing to more advanced topics.The Grammar focuses on both British and American usage, also exploring the differences and similarities between the two.Features include: • discussion of common problem areas• guidance on sentence building and composition• practical spelling rules• explanation of grammar terms • appendix of irregular verbs.

For over two centuries, black poets have created verse that captures the sorrows, joys, and triumphs of the African-American experience. Reflecting their variety of visions and styles, The Oxford Anthology of African-American Poetry aims to offer nothing less than a definitive literary portrait of a people. Here are poems by writers as different as Paul Laurence Dunbar and W.E.B. Du Bois; Countee Cullen and Langston Hughes; Gwendolyn Brooks and Amiri Baraka; Rita Dove and Harryette Mullen; Yusef Komunyakaa and Nathaniel Mackey. Acclaimed as a biographer and editor, Arnold Rampersad groups these poems as meditations on key issues in black culture, including the idea of Africa; the South; slavery; protest and resistance; the black man, woman, and child; sexuality and love; music and religion; spirituality; death and transcendence. With their often starkly contrasting visions and styles, these poets illuminate some of the more controversial and intimate aspects of the black American experience. Poetry here is not only or mainly a vehicle of protest but also an exploration of the complex and tender subtleties of black culture. One section offers tributes to celebrated leaders such as Sojourner Truth and Malcolm X, but many more reflect the heroism compelled by everyday black life. The variety of poetic forms and language captures the brilliant essence of English as mastered by black Americans dedicated to the art of poetry. Loving and yet also honest and unsparing, The Oxford Anthology of African-American Poetry is for readers who treasure both poetry and the genius of black America.

Race and Time urges our attention to women's poetry in considering the cultural history of race. Building on close readings of well known and less familiar poets—including Elizabeth Margaret Chandler, Sarah Louisa Forten, Hannah Flagg Gould, Frances Ellen Watkins Harper, Sarah Piatt, Mary Eliza Tucker Lambert, Sarah Josepha Hale, Eliza Follen, and Mary Mapes Dodge—Gray traces tensions in women's literary culture from the era of abolitionism to the rise of the Plantation tradition. She devotes a chapter to children's verse, arguing that racial stereotypes work as “nonsense” that masks conflicts in the construction of white childhood. A compilation of the poems cited, most of which are difficult to find elsewhere, is included as an appendix. Gray clarifies the cultural roles women's poetry played in the nineteenth-century United States and also reveals that these poems offer a fascinating, dynamic, and diverse field for students of social and cultural history. Gray's readings provide a rich sense of the contexts in which this poetry is embedded and examine its aesthetic and political vitality in meticulous detail, linking careful explication of the texts with analysis of the history of poetry, canons, literacy, and literary authority. Race and Time distinguishes itself from other critical studies not only through its searching, in-depth readings but also through its sustained attention to less known poets and its departure from a Dickinson-centered model. Most significantly, it offers a focus on race, demonstrating how changes in both the U.S. racial structure and women's place in public culture set the terms for change in how women poets envisioned the relationship between poetry and social power. Gray's work makes contributions to several fields of study: poetry, U.S. literary history and American studies, women's studies, African American studies and whiteness studies, children's literature, and cultural studies. While placing the works of figures who have been treated elsewhere (e.g., Dickinson and Harper) into revealing new relationships, Race and Time does much to open interdisciplinary discussion of unfamiliar works.

Contains a comprehensive reference guide designed to identify and correct the most common errors in written and spoken English including pronoun use, verb tenses, modifiers, and mispronounced words.
Source: worldcat.org